Invisible is an album that looks at the wide mediterranean musical universe, merging the sense of melos linked to the Apulian origins of the leader with the use of odd meters, probably the result of his 21 years in Germany, during which he had long collaborations with musicians from the Balkans and the Middle East.
Fundamental in this sense is the contribution of drummer Riccardo Gambatesa who forms with the leader a rhythm section able to playthe pulse and, at the same time, redefine the perspective through simple and musical use of polyrhythms. Paolo Dinuzzi develops his harmonic vision by combining modal and tonal language in favor of solutions with ambiguous color, but that offer through a particular relationship with the guitar, a wide spectrum of possibilities for improvisations. The tenor saxophonist Sabino Fino and the leader move in a territory in which lyricism is combined with the idiomatic elements of Jazz giving moments from the solid narrative construction. More on a cerebral and post-shorterian ground is the language of guitarist Giancarlo Pirro, in which angular phrasing and rhythmic displacement enrich the album with a darker perspective.